Video Hi8 HandycamSaving treasured moments should never cost a fortune. With the Sony CCD-TRV228 Hi8? Handycam? camcorder, you get most of the high-end features you would expect from a top-of-the-line camcorder, such as a 2.5? LCD display, a huge 20X optical zoom and NightShot?, and an Arabic and Farsi Menu. It even includes the new Easy Handycam feature, which automates most of the camcorder?s processes and makes videotaping a snap. Features? Hi8 ? 990x/49.5x Selectable Digital zoom (20x Optical Zoom) ? 2.5" LCD Monitor ? Built-in Video Light ? NightShot Plus (0 Lux minimum illumination) ? InfoLITHIUM M Series battery ? Automatic / Manual Focus ? Automatic White Balance ? Easy Handycam button for beginners ? Automatic Gain Control ? Preset and Custom Title Function ? Date and Time Function ? Digital Noise Reduction ? Built-in Microphone (Mono) ? Built in Speaker ? SP / LP Recording ? On-Screen Display ? Arabic and Farsi Menu ? NTSC Playback on PAL TV (SP only) ? 16:9 Recording ? Remote Commander ? Battery Info Specifications? Zoom: 990x / 49.5x Digital, 20x Optical ? F: 1.6 - 2.4 ? f: (Focal Distance): 2.5 - 50 mm f: (35mm Conversion): 42 - 840mm ? CCD: 1/6" Interlace 380,000 pixel (gross), 230,000 pixel (actual) ? Filter Diameter: 37mm ? Minimum Illumination: 1 lux (0 Lux with NightShot Plus) ? Shutter Speed: 1/50 - 1/4000 (via Program AE) ? Approximate Continuous Recording Time (LCD Off) with different batteries: ? NPFM30: 175 min ? NPFM50: 280 min ? NPQM71/ NPQM71D: 675 min ? NPQM91 / NPQM91D: 1010 min
Video Hi8 Handycam The Sony CCD-TRV428 is everything you?d want in a Hi8? Handycam? camcorder. It features a large 2.5? SwivelScreen? LCD display, the NightShot? Plus infrared recording system, a massive 20X optical zoom and the new Easy Handycam button, in Arabic and Farsi menu. It even includes SteadyShot? picture stabilization to help keep a smooth picture in even the roughest situations. Its InfoLITHIUM M Series battery ensures that you have enough battery stamina to record continuously. Best of all, it packs all of these features in a compact design that?s perfect for anyone who?s on the go. Features ? 990x/49.5x Selectable Digital zoom (20x Optical Zoom) ? 2.5" LCD Monitor ? Built-in Video Light ? Electronic SteadyShot ? NightShot Plus (0 Lux minimum illumination) ? InfoLITHIUM M Series battery ? Automatic / Manual Focus ? Automatic White Balance Exposure Control ? Easy Handycam button for beginners ? Preset and Custom Title Function ? Date and Time Function ? Digital Noise Reduction ? Built-in Microphone (Mono) ? Built in Speaker ? SP / LP Recording ? On-Screen Display ? Arabic and Farsi menu ? NTSC Playback on PAL TV (SP only) ? 16:9 Recording ? Remote Commander ? Battery Info Specifications:? Zoom: 990x / 49.5x Digital, 20x Optical ? F: 1.6 - 2.4 ? ocal Distance): 2.5 - 50 mm ? 35mm Conversion): 42 - 840mm ? CCD: 1/6" Interlace 380,000 pixel (gross), 230,000 pixel (actual) ? Filter Diameter: 37mm ? Minimum Illumination: 1 lux (0 Lux with NightShot Plus) ? Shutter Speed: 1/50 - 1/4000 (via Program AE)? Approximate Continuous Recording Time (LCD Off) with different batteries: ? NPFM30: 175 min ? NPFM50: 280 min ? NPQM71/ NPQM71D: 675 min ? NPQM91 / NPQM91D: 1010 min
Digital 8 Handycam, 40x DigitalThe DCR-TRV265E offers an opportunity to create your own movies fast and easy. It comes bundled with Picture Package, doing away with the need for complex video editing software on the computer. It also includes a software application that can burn footage to the popular VCD format as well as DV-IN, a function which allows video edited on a PC to be recorded back to tape. The DCR-TRV265E --- making movie creation truly simple. Features? Digital8 (Digital Recording & Playback only) ? 990x / 49.5x Selectable Digital zoom (20x Optical zoom) ? 2.5" LCD Monitor ? Built-in Video Light ? InfoLITHIUM M Series battery ? USB Streaming ? Electronic Super SteadyShot ? Automatic / Manual Focus ? New Picture Package software for Video and Slideshows ? Easy Handycam button for beginners ? Nightshot Plus ? Preset and Custom Title ? Interval and Frame Recording ? Digital Noise Reduction ? Photo mode on tape (Interlace) ? Built-in Microphone (Stereo) ? Built in Speaker ? SP / LP Recording ? 16:9 Recording ? Arabic and Farsi Menu ? Playback Zoom (x2) ? NTSC Playback on PAL TV ? Battery Info Specifications? Zoom: 700x / 40x Digital, 20x Optical ? F: 1.6 - 2.4 ? f: (Focal Distance): 2.5 - 50 mm ? f: 35mm Conversion): 42 - 840mm ? CCD: 1/6" Interlace Gross 540,000 pixel, Actual 350,000 pixel ? Filter Diameter: 37mm ? Minimum Illumination: 4 lux (0 Lux with NightShot Plus) ? Shutter Speed: 1/50 - 1/4000 (via Program AE) ? Approximate Continuous Recording Time (LCD Off) with different batteries: ? NPFM30: 125 min ? NPFM50: 200 min ? NPQM71 / NPQM71D: 485 min ? NPQM91 / NPQM91D: 725 min
Cast: Afzal Khan, Komal Rizvi, Sadia Hussain, Ali Asghar, Mishi Khan, Adnan Siddiqui, Hasan Shaheed Mirza, Ishrat Hashmi, Hamayun and Maria Jalali. A very popular drama series brilliantly written by Asghar Naeem Saeed. Involving everything from love triangles to betrayals and loves lost. Shot in Pakistan and abroad. This DVD will work on DVD players that support multi-region DVD playback.
Written by: Kamal Ahmed RizviDirected by: Qambar Ali Shah/ Rashid DarStarring: - Kamal Ahmed Rizvi,- Rafi Khawar (Nanna)This popular series of plays is based on two main characters, Allan and Nanna, the two faces of the society, poles apart in character and integrity. Various aspects of life and professions are portrayed in a satirical flow.
Imran Series Digest - Monthly magzine related to the stories of inteligence activities
Amjad Islam Amjad has a big following in Pakistan which is justified if you go through his work. Over the years Amjad Islam Amjad's contributions to Urdu literature have been on the rise. Having written many a drama series for PTV with "Waaris" being the jewel in the crown, he may or may not write another serial so popular but his poetic talents have been abounding by day and night.Presented here is a collection of some of his soul stirring poetry accompanied with an audio cd with a collection of hit songs written by Amjad Islam Amjad.Songs in CD:1-Main teray sung kaisay (Noor Jehan), 2-Tara tara jagoon (Nusrat Fateh Ali Khan), 3-Dil kay darya ko (Iqbal Bano), 4-Kahan akay ruknay thay (Ghulam Ali), 5-Kehti hai raton ki (Farida Khanum) 6-Chand kay saath kai (Jagjit Singh), 7-Kisi ki ankh jo (Abida Parveen), 8-Guzar gaya jo zamana (Hamid Ali Khan), 9-Kabhi Raqs-e-sham Bahare (Arifa Siddiqi), 10-Jo bhi kuch hain (Dr. Amjad Parvaiz), 11-Ye kon musafir hain (Fariha Parvaiz), 12-Laggan lagi mann ki laggan (Rahat Fateh Ali Khan), 13-Mohabbat aisa darya hai (Abrar-ul-Haq)
Item Description: About the Artist:Yusuf Islam was born Cat Stevens in London in 1948, son of a Swedish mother and Greek Cypriot father. He achieved fame as a pop star in the 60s and 70s, selling over 45 million albums worldwide to date. He embraced Islam in 1977 and chose the name Yusuf Islam. Since then he has married, has five children and is an active member of the British Muslim Community, focusing on the areas of education and humanitarian relief. Album Description:Welcome to the Quran Gateway to faith is the first in the Islamic Circle Talks series adopted from talks given by Yusuf Islam at the Regent's park Mosque, London. This talk is designed for those who wish to understand more about the six articles of faith (Belief in AllaH, His Angels, His Books, His Messengers, The Last Day & Al-Qadr) in Islam based on verses of the Qur'an. It includes the nasheed Qur'anu Rabbee. Read by Yusuf Islam. Feature(s): Narrated by Yusuf Islam Qur’anic recitation by Qari Ahmed Ali Abd-al-Tawab English translation read by Brian Young
The track listing for "Sawaal" is as follows :- 1. Jalan 2. Aankhein 3. Aik Din 4. Ajnabi 5. Dil Kee Baaton Ko 6. Dunya 7. Hoor (Instrumental) 8. Aag Ki Tarah 9. Jeeyay 10. Na Kaho 11. Sawaal 12. Zarb (Instrumental) Album Review:After a series of delays AaroHs debut album, Sawaal was finally released on the 22nd of Sept 2003. The response was massive, proving to all that the demand for AaroHs music is ascending, and understandably so. AaroHolics poured into local music stores through out Pakistan to get their hands on the much-anticipated album. The sound AaroH has brought forth through Sawaal is not only awesome but has many levels and a great deal of variety. From love ballads and techno numbers to hard rock tracks, you name it; it's on this album. Commendable is the sound quality and adequate use of affects, synths and brilliant mixing. Most songs are composed and written by the band itself. And as far as music goes, Aaroh very apparently masters all aspects. The instrumental skill portrayed is unbelievable, as all band members seem to excel in several areas apart from those, which they are well known for. In addition to the superb songs, the quality of production and the innovative album cover and inlay are also commendable. Moving onto the tracks, Sawaal is a compilation of twelve breathtaking songs out of which three have been released and have proven to be highly successful singles. Sawaal is the first song of the album. Possessing depth and precision of the highest degree; this number had long before proven to be sensational. Like a number of other songs on the album, Sawaal too speaks of love. Betrayal and hurt is the theme. With a combination of electrifying guitaring, implausible vocals, amazing drumming and an awesome beat, the song presents itself as a brilliant introduction to the album. Aik Din is the next track. The song has a rather different sound to it and varies somewhat from what we have heard from AaroH in the past. Observed first off is the magnificent guitaring and astounding vocals. In addition to this, the lyrics are also exceptionally charming. Dunya is an unforgettable track with all aspects of music aligned flawlessly. Everything from vocals and guitaring right down to lyrics and drumming is literally perfect. An empowering tune and awesome affects makes Dunya a number indeed worthy of praise. Up next is an all time AaroH favorite, Jalan. For apparent reasons Jalan has been a chart topping single, as it's impressive power of music represents well the ptitude of AaroH. Aankhien follows Jalan, and is a different but equally amazing track. Appropriate use of musical resources and as usual brilliant vocals and guitaring makes this yet another brilliant addition to the track list. Following this is Hoor, an amazing instrumental by Nabeel. In this track the individuals numerous talents are done justice to. Not only is he responsible for the exquisite guitaring but the magic on the keyboard and drums is also his. An incredible portrayal of his skill, Nabeel very obviously out does himself in Hoor. A fun and energetic track called Dil Ki Baton Ko is up next. Having a fast beat, enjoyable lyrics and immaculate use of instrumental proves this as yet another successful number. Aag Ki Tarha is next and is by far one of the most beautiful tracks ever created. A soft tune and powerful guitaring and lyrics give this song a unique touch of excellence. Jiye is a powerful patriotic number. Loud vocals, unique riffs and energy set this number apart from all others. Na Kaho, being a highly impressive power ballad, had captured the hearts of avid AaroHolics long before the release of Sawaal. A guitar instrumental initially, composition and vocals by Farooq adds a lovely feel of sincere emotion and beauty. Ajnabi is the only cover included in the album. A new and improved version of a song done originally by Vital Signs, it is a deep and invariably awesome song. The twelfth and last track is yet another brilliant addition of a guitar solo with an incredible alaap on Farooqs part. Included also are lyrics written by Nabeel and spoken by Shafeeq ur Rehman. It has a haunting affect, which makes one drown in the darkness of the moment. Each song on the album has a different sound with numerous aspects to explore. Aaroh has managed to cover all musical grounds successfully. A highly recommended album, Aarohs Sawaal accelerates the ascension the bands name speaks of and steadily proves to be a grand success.
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